Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Basso

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Review by Susie Gallaway

The album 6 Sonate Per Violincello E Basso features compositions by Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, and Ton Koopman. The performances by the musicians are exceptional, and they bring out the beauty and intricacies of the pieces.

The first sonata by Vivaldi is played with great energy and precision, showcasing the virtuosity of the performers. The second sonata by Geminiani is a slower and more contemplative piece, with the cello and basso parts weaving together in a haunting melody.

The third sonata by Schiff is a more modern composition, with dissonant chords and a dark, brooding atmosphere. The fourth sonata by Koopman is a lively and playful piece, with the cello and basso parts bouncing off each other in a delightful manner.

Table of Contents

Tracks

TrackDurationPreview
Largo
Sonata In B Flat, Rv 46
Adagio - Allegro Assai - Grave
Preludio (Largo)
Andante
Affettuoso
Sonata In B Flat, Rv 45
Sonata In E Minor, Rv 40
Sonata In A Minor, Op. 5 No. 6
Allegro Moderato - Non Tanto - Allegro
Sonata In A Minor, Rv 43/44
Allegro
Allemana (Allegro)
Sonata In C, Op. 5 No. 3
Corrente (Allegro)

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Catalog Numbers

434 124-2

Labels

Philips Digital Classics

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Formats

CD

Companies

RoleCompany
Copyright (c)Philips Classics Productions
Phonographic Copyright (p)Philips Classics Productions

Credits

RoleCredit
CelloHeinrich Schiff, Jaap ter Linden
Composed ByAntonio Vivaldi (tracks: 3,4,5,6,11,12,13,14,15,16,17,18,19,20,21,22), Francesco Geminiani (tracks: 1,27,8,9,10)
HarpsichordTon Koopman
ClavesTon Koopman
OrganTon Koopman

Barcodes

  • Barcode: 028943412421
  • SPARS Code: DDD
  • Other: PG 925
  • Label Code: LC 0305

About Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman

Album herunterladen Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Bassodescargar álbum Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Bassolast ned album Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Bassoladda ner album Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Bassolataa albumi Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Bassotélécharger l'album Antonio Vivaldi, Francesco Geminiani, Heinrich Schiff, Ton Koopman - 6 Sonate Per Violincello E Basso
Italian Baroque composer, virtuoso violinist, teacher and cleric. Born March 4, 1678, Sestiere di San Marco, Repùblica Vèneta, Italy. Died July 28, 1741, Kärntnertor, Vienna, Austria. He is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He is known mainly for composing many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as "The Four Seasons". Vivaldi's career as a violinist and composer was almost inevitable. His father was Giovanni Battista Vivaldi, a founder of the Sovvegno dei musicisti di Santa Cecilia, an early musician's collective, who's President was the Baroque operatic composer and tutor Giovanni Legrenzi. As a youth, touring and performing around Venice in accompaniment on the violin with his father, he is likely to have been influenced by Legrenzi who had become maestro di cappella at St. Mark's Basilica in 1681. A redhead like his father, Vivaldi took up the course of attaining a priesthood in 1693 and became ordained in 1703, referred to by those around him as "Il Prete Rosso" because of his red hair. By late 1703 he was unable to maintain his practice in the priesthood due to ill health and sought employment as a tutor of music, retaining his reverential title. By 1704 he worked as maestro of violin in Venice at the orphanage of the Devout Hospital of Mercy, an institution known as Conservatorio dell'Ospedale della Pietà, providing shelter to orphaned and abandoned children. Here the boys were taught a trade, whilst the girls were given a musical education. The talented were selected for the conservatory's orchestra & choir, which gained high regard both in Venice and abroad. Vivaldi used this period to write the majority of his concertos, cantatas and arias. The institute provided an ideal environment for Vivaldi to explore the avenues of the ritornello form. The first of his works were published in 1705, a second Opus in 1709. His third Opus was published in Amsterdam in 1711 and gained him enthusiastic attention throughout Europe  followed by a fourth Opus in 1714. He became Musical Director of the Pietà's institute in 1716 and was contracted to provide two concerti a month for the orchestra. Papers from the Pietà's history show that Vivaldi produced 140 concerti between 1723 and 1733. In 1714 Vivaldi took on the role of impresario of the theater Sant'Angelo in Venice, presenting "Orlando finto pazzo

Real Name

    • Antonio Lucio Vivaldi

Name Vars

  • A Vivaldi
  • A, Vivaldi
  • A. Vivaldi
  • A. Vivaldi (1678-1741)
  • A. Vivaldis
  • A. Vivaldy
  • A. Vivardi
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  • Allegro
  • Antinio Vivaldi
  • Anton Vivaldi
  • Antoni Vivaldi
  • Antonio
  • Antonio (Lucio) Vivaldi
  • Antonio L. Vivaldi
  • Antonio Licio Vivaldi
  • Antonio Lucio Vivaldi
  • Antonio Vivaldi (?)
  • Antonio Vivaldi, 1678-1741
  • Antonio Vivaldi?
  • António Vivaldi
  • D. Antonio Vivaldi
  • Don Antonio Vivaldi
  • G. Verdi
  • VIVALDI
  • VIvaldi
  • Vavaldi
  • Viva Vivaldi
  • Vivald
  • Vivaldi
  • Vivaldi A.
  • Vivaldi Antonio
  • Vivaldi Antonio Lucio
  • Vivaldi,
  • Vivaldi, Antonio
  • Vivaldis
  • Vivaldy
  • Vivladi
  • Βιβάλντι
  • А. Вивалди
  • А. Вивальди
  • А. Вівальді
  • А.Вивальди
  • А.Вівальді
  • Антонио Вивалди
  • Антонио Вивальди
  • Антонио Вивальди (1678-1741)
  • Антоніо Вівальді
  • Вивалди
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Summary by Susie Gallaway

The final two sonatas by Vivaldi are both vibrant and joyful, with the musicians executing the complex rhythms and harmonies with ease. the album is a masterful showcase of the cello and basso duo, and a must-listen for any classical music lover.

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