Serge Gainsbourg Avec Alain Goraguer Et Son Orchestre - Le Poinçonneur Des Lilas

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Review by mustafa ambran

Le Poinçonneur Des Lilas, the iconic album by Serge Gainsbourg Avec Alain Goraguer Et Son Orchestre, is a masterpiece that has stood the test of time. The album was released in 1958 and is a collection of 10 tracks, all of which showcase Gainsbourg's unique style and musical genius.

The album's title track, Le Poinçonneur Des Lilas, is a classic that has become a symbol of French chanson. The song tells the story of a metro ticket puncher who leads a monotonous life, and Gainsbourg's lyrics and Goraguer's music perfectly capture the mood of the song.

Another standout track on the album is La Recette De L'Amour Fou, which is a playful and witty song about the recipe for love. The song features Gainsbourg's trademark wordplay and is a delight to listen to.

Table of Contents

Tracks

TrackDurationPreview
Douze Belles Dans La Peau
Le Poinçonneur Des Lilas

Images

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Catalog Numbers

B 372.585 F

Labels

Philips

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Formats

  • Vinyl
  • 7"
  • 45 RPM
  • Jukebox
  • Promo

Credits

RoleCredit
Written-BySerge Gainsbourg

Barcodes

  • Matrix / Runout (Side A Label): AA 372.585 1F
  • Matrix / Runout (Side B Label): AA 372.585 2F
  • Matrix / Runout (Side A Runout): 372.585 1F 380
  • Matrix / Runout (Side B Runout): 372.585 2F 380

About Serge Gainsbourg Avec Alain Goraguer Et Son Orchestre

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(April 2, 1928  March 2, 1991) Poet, singer-songwriter, painter, actor and director. Born in Paris, France, the son of Jewish Russian parents. He had well known children : a daughter, Charlotte, with ; and a son, Lucien Gainsbourg (aka Lulu), with his last partner, . Two other children are non-mediatics : Natacha (born 8 August 1964) and Paul (born 13 April 1968) with Françoise Antoinette Pancrazzi. Serge Gainsbourg (born Lucien Ginsburg), wanted to be a painter but earned his living as a piano player in bars. He was tapped to join the cast of the musical 'Milord L'Arsouille', where he reluctantly assumed a singing role; self-conscious about his rather homely appearance, Gainsbourg initially wanted only to carve out a niche as a composer and producer, never as a performer. His early influence was . Gainsbourg wanted to free himself from what he considered old-fashioned 'chanson' and explore other musical grounds, influenced especially by British and American pop. He also wrote soundtracks for more than 40 movies and directed himself in four movies: 'Je t'aime... moi non plus' (10 years censored*), 'Equateur', 'Charlotte For Ever' and 'Stan The Flasher'. * (1969) the song, featured simulated sounds of female orgasm. Originally recorded with , it was instead released with a future girlfriend as Brigitte Bardot backed out. The song was censored in many countries and in France even the toned-down version was suppressed. The Vatican made a public statement citing the song as offensive. Its notoriety led to it reaching no. 1 in the UK chart. A frequent interpreter of Gainsbourg's songs was British torch singer , whose success in France was propelled by her recordings of his tunes but the first English-language version of a Gainsbourg song was 's 1965 version of 'Mamadou'. Concept album produced and arranged by was somewhat based on Nabokov's novel Lolita. It has proven influential with artists such as , who covered a track and . in 1978 with , and he made a Reggae version of the French national anthem "La Marseillaise". His version earned him death threats from right wing veterans of the Algerian War of Independence (OAS). Gainsbourg was able to reply to his critics that his version was in fact closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.

Real Name

    • Lucien Ginsburg

Name Vars

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  • Fainsbourg
  • G. Gainsbourg
  • G. Gaisbourg
  • GAINSBOURG
  • Gainbourg
  • Gainsbarre
  • Gainsberg
  • Gainsboogh
  • Gainsborg
  • Gainsborough
  • Gainsboug
  • Gainsbough
  • Gainsbourg
  • Gainsbourg S
  • Gainsbourg S.
  • Gainsbourg Serge
  • Gainsbourg, Serge
  • Gainsbourg, Serge
  • Gainsbourg...
  • Gainsbourge
  • Gainsbourgh
  • Gainsbourg&
  • Gainsburg
  • Galesbourg
  • Goinsborough
  • J. Gainsborg
  • Lulu Gainsbourg
  • Monsieur Gainsbourg
  • Mr. Gainsbourg
  • S Gainsbourg
  • S Gainsbourgh
  • S, Gainsbourg
  • S. Gaeinsbourgh
  • S. Gaidsbourg
  • S. Gaimsbourg
  • S. Gainbourg
  • S. Gainbourgh
  • S. Gainbsourg
  • S. Gainsberg
  • S. Gainsborg
  • S. Gainsboroug
  • S. Gainsborough
  • S. Gainsbough
  • S. Gainsbour
  • S. Gainsbourg
  • S. Gainsbourgh
  • S. Gainsbuorg
  • S. Gainsburg
  • S. Gamsbbourg
  • S. Grinsbourg
  • S. Serge Gainsbourg
  • S.. Gainsbourg
  • S.Gainbourgh
  • S.Gainsberg
  • S.Gainsborough
  • S.Gainsbourg
  • S; Gainsbourg
  • Serg Gainsbourg
  • Serga
  • Serge
  • Serge Gainbourg
  • Serge Gains Bourg
  • Serge Gainsberg
  • Serge Gainsboroug
  • Serge Gainsborough
  • Serge Gainsbourgh
  • Serge Gainsbourrg
  • Serge Gainsburg
  • Serge Gainzbourg
  • Serge Gaisbourg
  • Serge Ganisbourg
  • Serge Gofnsbourg
  • Serge-Gainsbourg
  • Sserge Gainsbourg
  • Гейнсбург
  • С. Гейнсбург
  • С. Гинзбур
  • Серж Гинсбур
  • סרג' גינזבורג
  • סרז' גינזבורג
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Aliases

  • Lucien Ginsburg
muse74

Summary by mustafa ambran

Le Poinçonneur Des Lilas is an album that any fan of French music should own. Gainsbourg's unique style and Goraguer's orchestration come together to create a timeless masterpiece that continues to captivate audiences today.

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